Chen’s solo songs ranked by streaming numbers

Chen’s solo catalog has grown from emotional OST appearances into a distinct body of work built around ballads, acoustic pop, and carefully controlled vocal performances. His music rarely depends on loud production. Instead, it draws listeners through warm phrasing, dramatic melodies, and lyrics that make quiet moments feel significant.

The ranking below uses estimated Spotify play counts for Chen’s officially released solo tracks, rounded to the nearest million and checked against public counters in early 2025. Numbers can change daily, and regional availability, playlist placement, and different release dates all affect the result.

This list focuses on songs credited to Chen as a solo artist. Group recordings, duet tracks, and songs where he appears as a featured vocalist are left out so the comparison reflects his individual discography more clearly.

How the ranking was measured

Streaming totals are useful because they show which songs continue to attract listeners long after their release promotions end. They do not measure vocal quality, cultural impact, or the personal meaning a track holds for EXO-L. A song with fewer plays may still be a fan favorite or a standout in Chen’s live performances.

Spotify figures also vary by market. Some Korean releases have stronger audiences on domestic platforms, while international fans may discover Chen through playlists, television drama soundtracks, or EXO-related searches. For that reason, the numbers should be read as a snapshot rather than a permanent scorecard.

The songs leading Chen’s solo catalog

“Beautiful Goodbye” remains the clearest streaming leader among Chen’s solo releases, with an estimated 29 million Spotify plays. Released as the title track of his April, and a flower, mini album, it presents Chen in a restrained but deeply emotional setting. The song’s farewell theme, memorable chorus, and strong vocal climax helped it become an immediate signature track.

“Shall We?” follows at roughly 20 million streams. Its vintage pop atmosphere gives Chen room to sound relaxed and conversational, while the sophisticated arrangement makes the song appealing beyond the usual ballad audience. It is one of the best examples of his ability to move between traditional vocal music and a more stylish, retro-inspired sound.

“Hello” ranks close behind with approximately 16 million plays. The track’s direct message and uncluttered arrangement made it especially accessible to listeners who discovered Chen during his military-service period. Its gentle tone also gives it strong replay value, allowing it to work equally well as a comfort song or a quiet everyday listen.

The middle of the streaming race

The next group shows how consistently Chen’s albums perform across different moods. “Last Scene” has gathered an estimated 13 million plays, powered by its cinematic piano arrangement and dramatic sense of separation. The song feels deliberately spacious, placing the focus on the ache in Chen’s voice rather than on dense production.

“Polaris,” from the same album, sits near 11 million streams. It has a more intimate profile than the title track, and its appeal comes from the sense of emotional distance suggested by the lyrics. “Make It Count,” with around 10 million plays, benefits from its connection to the Korean drama The Universe’s Star and from its brighter, more hopeful melody.

The streaming pattern suggests that Chen’s audience responds to both sides of his solo identity. The grander heartbreak songs attract first-time listeners, while softer album tracks retain dedicated fans who return to the full record rather than stopping at the lead single.

Rank	Song	Release	Estimated Spotify streams
1	Beautiful Goodbye	April, and a flower	29 million
2	Shall We?	Dear my dear	20 million
3	Hello	Hello	16 million
4	Last Scene	Last Scene	13 million
5	Polaris	Last Scene	11 million
6	Make It Count	The Universe’s Star OST	10 million
7	My Dear	Dear my dear	7 million
8	I’m Not Okay	Last Scene	6 million
9	Hold You Tight	April, and a flower	5 million
10	Traveler	Dear my dear	4 million

Why Beautiful Goodbye stays ahead

“Beautiful Goodbye” has several advantages that help explain its lead. It was Chen’s first solo title track, giving it an important place in the story of his individual career. It also arrived with a strong visual identity built around springtime, memory, and separation, themes that travel well across language barriers.

The song is easy to recognize within a few seconds, yet it rewards repeated listening through its rising arrangement and emotional details. Chen’s vocal control is central to its durability: he begins with restraint, gradually increases the intensity, and reaches the final section without losing clarity.

Its position also reflects the way fans organize a solo discography. New listeners often begin with the most recognizable title track, then explore the associated album. That discovery path gives “Beautiful Goodbye” a continuing advantage over songs that were promoted less heavily.

Album tracks with lasting appeal

Chen’s albums are structured around emotional continuity, which makes the non-title tracks important to the overall listening experience. “My Dear” has around 7 million streams and feels especially personal because of its delicate melody and close vocal delivery. “I’m Not Okay,” at about 6 million, takes a more openly vulnerable route and has become a frequent choice for listeners seeking a cathartic ballad.

“Hold You Tight” and “Traveler” rank lower in raw totals, but their positions should not be mistaken for a lack of artistic importance. “Hold You Tight” offers a warmer, more reassuring mood, while “Traveler” adds movement and lightness to Dear my dear. Both songs show that Chen’s albums are not built around one emotional color.

For fans exploring his family-centered perspective and recent interviews, this look at Chen’s family life provides useful context for the quieter warmth that appears in parts of his music. Personal background does not determine the meaning of a song, but it can add another layer to the way listeners understand his softer material.

What the numbers reveal about Chen

The ranking favors songs with immediate emotional clarity. “Beautiful Goodbye,” “Shall We?,” and “Hello” establish their mood quickly, making them effective playlist entries for listeners who may not yet know Chen’s wider catalog. Their choruses are memorable without sacrificing the vocal detail that attracts longtime fans.

The data also shows that soundtrack exposure can give a song a major advantage. “Make It Count” reaches a higher position than several album cuts because drama viewers may encounter it independently of Chen’s solo albums. OST tracks often benefit from repeated placement during emotional scenes, as well as searches from viewers looking for the complete song after an episode.

At the same time, streaming totals cannot fully capture Chen’s influence. His live stages, encore performances, lyric videos, and fan edits keep songs active in the community even when their daily play counts fluctuate. A track such as “Last Scene” may have fewer total streams than the leading single while carrying equal weight in concerts and fan playlists.

A listening path for new fans

Listeners approaching Chen’s solo music can use the ranking as a starting point, then move through the albums according to mood rather than release order.

• Begin with “Beautiful Goodbye” for Chen’s defining emotional ballad.
• Play “Shall We?” to hear his retro-pop and jazz-influenced side.
• Choose “Hello” and “My Dear” for a softer, more intimate listening session.
• Add “Last Scene” and “I’m Not Okay” when you want the most dramatic vocal performances.
• Finish with “Make It Count” to explore his connection with Korean drama soundtracks.

Chen’s streaming leaders reflect a career shaped by patience, vocal precision, and emotional detail. Start with the ranked songs, explore the complete albums, and keep following EXO-L for more EXO solo music coverage, release updates, performances, and fan-focused features.